I enjoy working with creative people. It’s a blast. Creative folks tend to bring an extra little something to the photo session. I was working with Sedona musician Peter Sterling the other day. He had some specific thoughts on the session we were photographing for some headshots and CD cover art.
Once an idea is put forward, then it’s time to tweak the lighting to create the mood and feeling needed. We started with a high key background then went to a low key background with more dramatic lighting.
One of the first images from the session. * setup described below Harpist Peter Sterling
Above and below are unretouched photos on a high key background. Peter was an excellent subject as he made excellent eye contact with the camera and was easy to get relaxed. He made my job pretty easy!
I liked this one as a different look but wasn’t thrilled with the foot pad and stool. I wanted to crop in but it has a very casual feel, and it keeps growing on me.
Moved to a black background and worked on a more moody look. Peter asked me to retouch this one, and I like it a lot! ** the setup described below
When I do final retouching for artists, I always include a black and white version. This is often way better than sending off a color image and letting the newspaper or magazine do the conversion.
* White seamless backdrop with a Fiilex 360ex Variable LED light with 24×36 inch softbox as main light (camera right) Camera left another light with a smaller softbox used as fill.
** Black seamless backdrop and lights as above but adjusted for more drama. A 5-inch Fiilex Fresnel attachment was added to another light for the background
OK. Extension tubes don’t necessarily equate to macro photography. But, they can let you focus very close, and in some cases, you can replicate macro photography. Getting in close and showing people things that won’t be noticed by the naked eye can get you some excellent images. If you are not officially into macro photography but want to play, extension tubes are the way to go. Let’s call this close-up photography!
A true macro lens can be anywhere from $700 and up new. A set of extension tubes goes from $7 to $229. I don’t recommend going with the absolute cheapest as the builds seem to be a little rough. (I’ve tried) I’ve found a great set of tubes for about fifty bucks. Vello extension tubes are a great cross in build quality to performance. You can see them here. Vello Micro 4/3rds Extension Tubes
Some examples from a recent hike below
All flowers in this post are smaller than the size of my fingernails. All Images Photographed with the ** Lumix G9 and the 12-60mm Leica DG Vario-Elmarit f2.8-4.0 lens w/ Extension Tubes
Two images blended together to extend the depth of field.
If I were working the flowers, I would be on a tripod and automatically bracket my focus for subsequent stacking in post-production. In this case, I focused on the front flower and then on the back flower bloom and used Photoshop Layers to blend the two by hand with a mask.
An example of the camera settings. For this image – 1/100th sec F11 ISO 800
If you want to go full macro and you are in the micro four-thirds camera systems, I find some beautiful results with the 45mm Leica DG Macro-Elmarit f2.8 lens. BTW, as this lens is a 90mm (35mm equivalent view), it also makes for a nice head and shoulders portrait lens. Dual use is always a winner in my book!
Yours in Creative Photography, Bob
** Lumix G9 Camera is on special for $200 off regular MSRP (not sure how long this will last)
I was capturing a recurring family portrait of a family that is still growing. Having photographed Josh and his family previously on several occasions I knew that attention spans, especially with the younger children (as almost always with those two and under) would be short. This knowledge led to the decision to do a studio shoot vs. going on location.
Here’s the final family portrait. Framed 20 inches
Basically when photographing families the time you have with them is dependent upon the shortest attention span of a single person. Knowing I’d be working with a ten-month-old and a two-year-old I felt the chances for a long session had short odds. I planned accordingly.
I was correct.
The secret is getting the final image as quickly as possible. One of the advantages of working in our digital world is if you are working on a set with consistent lighting, camera on a tripod and a good memory of who has already given you a good solid expression and body posture you can composite a final image with good emotions and body posture by all.
Josh, his wife and five children had an appointment for ten o’clock on a Saturday morning. The clock struck ten and they are working thier way into the studio, changing a few clothing choices and brushig hair. The usual final prep before the camera work begins.10:08 AM everyone is preened and ready. First exposure made. Family roughed into position.
10:11 AM 10-month-old, and moments later, two-year-old basically melt down. Session over but I know there’s a solid family image to be had with a bit of post-production work.
Layers Palette with a couple of swapped people
Is this an award-winning family portrait. Probably not in a competition setting, but it is a winner in the family memory and documentation.
Since I have started back to hiking through the red rocks in Sedona once again, I’ve had a great time making images that show the best part of hiking. For these images, I was using the Lumix G9 and the 12-60mm Leica DG VARIO-ELMARIT f2.8-4.0 lens. This combo has a substantial reach and weighs in about three pounds which is hugely manageable on trails that are considered wilderness by the forest service. Wilderness trails mean clambering over, up and down medium size rocks, so the weight is a factor.
Wilderness area trail photo of the back side of Courthouse Butte – Sedona, AZ
As the trail moves toward another iconic feature called Bell Rock
Meet my twisted friend the juniper.
Lots of interesting junipers litter the sometimes otherworldly landscape of Sedona. Fun fact – the seeds need to pass through a bird to germinate.
This from an article on Lubbock Online by ELLEN PEFFLEY who taught horticulture at the college level for 28 years, 25 of those at Texas Tech, during which time she developed two onion varieties. She is now the sole proprietor of From the Garden, a market garden farmette. You can email her at [email protected].
“The fruit botanically are cones but, unlike pinecones that are dry and open, the fleshy and fused closed scales of juniper resemble berries, thus the reason fruit of juniper is usually referred to as a berry. Berries mature over 18 months, at first green and turn a dark-blue purple or bluish color as they mature. Berries are visible during the winter months. Each berry develops six triangular, hard black seeds, which are eaten and scattered by frugivorous birds.
“A word for the word jar: frugivorous, defined by Merriam Webster as fruit-eating. Fruit is the preferred food for frugivorous birds, which swallow the fruit whole, digest the fleshy scales, pass the hard-shelled seeds through the gut and disperse the seeds. This is why seedling junipers pop up in unusual surroundings.” http://www.lubbockonline.com/life/2017-01-09/peffley-juniper-berries-sought-birds-food-flavor-base-gin
I was working on a commercial job photographing product for the Crystal Magic website today. I’ve got to tell you the tethering experience with this camera was sublime. I know that is some pretty intense emotion for working with a camera. But, if you’ve worked with other systems that don’t hook up quickly to the computer or drop the connection in the middle of a shoot, numerous times, you know exactly how I feel.
Here’s one of the finished beauty shots of the bracelets showing the detail and closeup color.
I’ve been shooting with this set-up for a while and realized I hadn’t shared the ease of this and how wonderful it is when you are working on set with a designer or other creative. When they can see exactly what is happening with the live view, it speeds the setup time immensely. And, then immediately see the finished exposure seconds later, while moving RAW files, well what can I say? Wahoo!
I was working with Molly from https://www.crystalmagic.com, and we were shooting a large number of bracelets that needed multiple shots of each. With Molly getting confirmation on each Item and angle as we worked it sped up the process immensely.
Screen showing Live View from the with Adobe Bridge on the right with the captured photo
With the free download of Lumix Tether which you can get with Lumix G9 camera ownership, you can control the camera, use Live View and move images to your computer in a snap via a USB cord. I shoot to a folder on my desktop and link Adobe Bridge to that folder. When an image is photographed, you can see it almost immediately.
Lumix G9 on set. Note that the camera is set to show what the image will look like in a square format.
All images on the website are to be square aspect ratio. The camera is set to show that to make it easier to determine composition. It’s a great feature, but in case you want to view the entire image in 2/3 or 4/3 format after the fact you can strip away the crop and see all of the photos, but only if you shoot in RAW. If you shoot in jpeg, the crop factor is baked into the file.
In a couple of weeks I will be doing a video on the full use and ease of setup on the G9 and Lumix Tether system.
I gotta tell ya it is some kind of wonderful to have a creative person who enjoys being in front of the camera! I’ve never had a muse before. For those who might not know the term here’s the Dictionary definition.
Verb (used without object),mused,mus·ing.
to think or meditate in silence, as on some subject.
(in Greek and Roman mythology) each of nine goddesses, the daughters of Zeus and Mnemosyne, who preside over the arts and sciences.
synonyms:
inspiration, creative influence, stimulus;
formalafflatus
“the poet’s muse”
2.
a person or personified force who is the source of inspiration for a creative artist.
Having a person who is an artist in their own right is a gift. Pash has ideas, shares them with me and then lets the chips fall where they may. We start to make photographs with her thoughts in mind then we go wherever the first situation takes us. She has an intimate relationship with the environment which is usually the starting point. Then I add a couple of thoughts to refine, and we experiment and play, and this invariably leads me to create new imagery that I find exciting.
I usually end up pushing my personal boundaries as we work together. And then, even more, when I get into post-production.
Our latest foray into collaboration led to a photo session on Oak Creek in which she had a thought of ‘creating a mermaid.’ I had the urge to play with infrared and had her do some warm-up posing on the rocks with a dress, flowing cloth and au’ natural.
This Photo has the feeling of a Greek Statue to me. Infrared made with Lumix G6 converted by LifePixel
As the session went on, I added Tiffen neutral density filters to extend the time that the shutter would be open.
The neutral density filters extended the time allowing the wind to register in the trees.
This image reminds of one of the classic painters.
For infrared conversion of my cameras I use LifePixel. Infrared allows you to put an older camera to use and opens up a new time time of day for productive image creation.
Fotopro tripods are well worth checking out. You can learn about the ones I use and recommend by clicking on the Fotopro Tripods link at the top of this page. If you want to see what other tripods might fit your needs check out the Fotopro.com website. Check back with me before you buy as a Fotopro Ambassador I’m able to get you discounted pricing including complementary continental USA shipping for my followers that you won’t find through retail outlets.
Learn Photoshop in a fun environment. Aaron Nace applies the right amount of fun with easy to understand and follow tutorials. Actions and brushes are included with lessons!
Lightning, waterdroplets, sound, time-lapse, HDR sequences, smiles and much more control for your camera!
Cameras Get Smarter -
A High Speed Smart Camera Remote
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Platypod has become a great resource for being creative in getting your camera gear easily into unusual places. As an Platypod Pro I get to work/play with the gear even before it comes out. Head over to Platypod, subscribe to the newsletter and you will get special discounts reserved only for subscribers.
Harpist Peter Sterling
I liked this one as a different look but wasn’t thrilled with the foot pad and stool. I wanted to crop in but it has a very casual feel, and it keeps growing on me.
Moved to a black background and worked on a more moody look. Peter asked me to retouch this one, and I like it a lot! ** the setup described below
